Berlin is a city in constant evolution. Local galleries, exhibition spaces are continuously born and try to become a landmark in the city. Given the wide range is not easy to get space, but given the low costs and a natural inclination of people to look around in all that is new, is not so rare that people just open quickly become points of reference.
Word of mouth really does work and initiative is rewarded, as long as there is a good dose of madness and creativity to support it.
Two months ago came the WIR Gallery. Strategically located in one of the warmest in Berlin, Friedrichshain that inhabited by students, creative and dogs, where the nights are very long and very slow awakenings, the Wir organize at least two openings a month and consequent finissage with the formula "art party".
few doors down, on the same street, there is also a branch of the Berlin Strychnin , gallery with locations in New York and London.
often different exhibitions are opened on the same day, creating a single large flow of young people, artists, creative and curious that for most of the evening crowd the road, moving from one gallery to another, drinking, looking around and commenting on between concerts and performances.
It is not uncommon here to find this kind of common front between the exhibition spaces. The intent is to create synergies, emotional and cultural exchanges are always new and different without impeding each other but rather by means of a strong partnership of mutual enrichment.
Word of mouth really does work and initiative is rewarded, as long as there is a good dose of madness and creativity to support it.
Two months ago came the WIR Gallery. Strategically located in one of the warmest in Berlin, Friedrichshain that inhabited by students, creative and dogs, where the nights are very long and very slow awakenings, the Wir organize at least two openings a month and consequent finissage with the formula "art party".
few doors down, on the same street, there is also a branch of the Berlin Strychnin , gallery with locations in New York and London.
often different exhibitions are opened on the same day, creating a single large flow of young people, artists, creative and curious that for most of the evening crowd the road, moving from one gallery to another, drinking, looking around and commenting on between concerts and performances.
It is not uncommon here to find this kind of common front between the exhibition spaces. The intent is to create synergies, emotional and cultural exchanges are always new and different without impeding each other but rather by means of a strong partnership of mutual enrichment.
